When seeking a symbol to summarize David Lynch's career for this site's banner, the red room stood out as an indelible image in a career filled with unforgettable on-screen images. Here Lynch strikes a universal chord in viewers with dream-like surrealism as Laura Palmer reaches out from beyond the grave to a confused, empathic Agent Cooper. They meet in a red room populated with abstract symbols, where non sequitir stanzas are recited in response to basic questions and everything occurs backwards. Yet Lynch somehow makes this sequence feel tangible, real, and familiar as if we were dreaming it ourselves.
As mentioned at the end of our previous article, Episode 2 should be viewed in conjunction with Episode 1 for full effect. Although the series as a whole has remarkable continuity, each episode normally representing one day of the show's narrative, Episodes 1 and 2 are so tightly connected that both episodes improve when watched together. Episode 2 opens on a static shot of the Horne family at dinner with the opening credits playing over the silence at the table. In this simple extended shot, Lynch reveals a lot about the tension and apathy in the Horne family.
The drama heats up in Twin Peaks as abusive spouses punish their spouses in cruel and bizarre ways, driving a bigger wedge between them. Humorously, Ed and Shelly would have a lot in common as their horrible marriages drive them to infidelity and their infidelity further strains their marriages. As their marriages circle down the drain, they become more dependent on their secret lovers for love and support.
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Agent Cooper Repeats the Name "Dr. Lawrence Jacoby" Before Throwing a New Rock at the Bottle |
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Agent Cooper Knocks the Bottle Off the Log |
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Agent Cooper Asks Lucy to Take Note the Bottle was Struck, But Did Not Break |
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Sheriff Truman Continues Listing Off Names as Deputy Hawk Holds Up the Bucket of Rocks for Cooper |
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Meanwhile, Deputy Andy Resets the Glass Milk Bottle on its Perch |
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Johnny Horne, Received Lessons from Laura |
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Norma Jennings, Worked with Laura on the Meals on Wheels Program |
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Shelly Johnson, Friend of Laura's |
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This Time Agent Cooper is Not Just Off the Mark |
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But Actually Lands the Rock on Andy's Head |
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Andy Shrugs Off the Blow and Claims it Did Not Hurt One Bit |
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Sheriff Truman Chimes, "Where there's no sense, there's no feeling, Andy!" |
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Andy Takes the Joke in Good Humor as they Continue the Demonstration |
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Agent Cooper Apologizes to Andy Before Continuing |
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Sheriff Truman Pulls Agent Cooper Away in Private for a Second and Asks if All this Really Came from a Dream. Agent Cooper Positively Responds with a Smile: "Yes." |
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Sheriff Truman Helps Rule Out "Jack with One Eye" Because of his Familiarity with the Canadian Casino "One-Eyed Jacks" |
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Lucy Gets Caught in a Word Loop and Agent Cooper Helps Clarify that Lucy Can Cross "Jack with One Eye" Off this List |
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Leo Johnon, Shelly's Husband. Relationship to Laura... Unknown. |
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Cooper Repeats his Name and Steadies Himself |
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He Throws Once More |
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Upon Hearing Leo Johnson's Name, He Throws the Last Rock |
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In a Very Cool Shot, We Watch the Rock Leave Kyle MacLachlan's Hand and Travel All the Way to Glass Bottle Where it Makes Contact and Shatters it to Pieces, without Any Cuts or Special Effects |
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Everyone Ponders What this Could Mean as they Look on the Broken Milk Bottle |
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This Group Now Suspects Leo Johnson Could be Involved in Laura's Death |
While not insulting or downplaying the importance of deductive reasoning and more conventional investigative techniques, Agent Cooper apparently trusts in his subconscious mind more than any other Holmesian detective in fiction. Sherlock Holmes tends to downplay intuition in favor of cold rationality. But Agent Cooper is a man who is willing to follow down inductive paths of reasoning after deduction takes him as far as it can go. This scene partially encapsulates the style of Twin Peaks as a whole, a show that makes use of a strongly structured narrative, but is not afraid to make intuitive leaps to take us places we could not go alone with the unaided conscious mind.
THERE'S ALWAYS MUSIC IN THE AIR
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A Beautiful Establishing Shot Sets the Scene for the Double "R" Diner |
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As the Packard Sawmill Continues Moving Lumber at a Consistent Pace |
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Audrey Horne Enters the Diner |
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Where the Haywards are Eating Sunday Lunch Together |
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Norma is a Little Surprised to See Audrey Here Alone |
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Audrey Orders a Cup of Coffee |
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Thinking of Agent Cooper's Preferences, She Drinks it Black |
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Donna's Parents Say they Saw Audrey at Church Earlier that Day |
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Since Audrey Does Not Normally Attend Services, Donna is Interested Why She Came Today |
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In a Rare Moment, Donna and Audrey Converse with Each Other |
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Audrey Explains that She Came to Church in Honor of Laura's Memory. Donna is a Little Surprised at this, Thinking Audrey Did Not Like Laura. Audrey Responds that She Sorta Loved Laura for Helping her Bother Johnny |
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Audrey Asks Donna How She Likes her Coffee, so She Responds She Likes it with Cream and Sugar |
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Audrey Reveals Agent Cooper Likes his Coffee Black |
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Donna Laughs at Audrey's Obvious Attraction and Interest in the FBI Agent |
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Audrey's Attention Becomes Drawn to the Music Playing on the Jukebox |
Audrey's Dance
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Audrey Gets Up from the Table and Begins Dancing in the Middle of the Diner |
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There is Something Strange and Sensual in her Movements |
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Moves that Begin Drawing Attention from the Other Patrons in the Restaurant |
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Including Donna's Parents, Who Watch Audrey's Spectacle |
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Audrey Does Not Seem to Care What Anyone Thinks of Her as She Continues to Slink Around and Dance in Place |
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Donna is a Little Bit Embarrassed for Audrey at First But Grows a Little Jealous of Audrey's Free Spirit, the Same Type of Spirit she Recognizes from her Deceased Friend Laura |
Albert Rosenfield Arrives in Town
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Meanwhile a New Piece of Evidence is Discovered by Deputy Hawk Near the Train Car Where Laura and Ronette were Attacked |
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The Location of this Bloodied Towel Will be Important in the Last Episode of the Series |
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Miguel Ferrer Blows into Town with the Ferocity of a Storm as FBI Special Agent Albert Rosenfield |
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Miguel Ferrer's Father is Jose Ferrer, the Actor Who Played Emperor Shadam IV in Dune (1984) |
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Albert has a Surprisingly Low Threshold for Lucy Moran's Eccentricities |
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Agent Cooper Predicts Lucy is Buzzing them Because Albert and his Team Arrived |
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Lucy is Surprised by Cooper's Accuracy and Informs Albert that Cooper and Truman Will be Out in a Moment |
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Albert: "I can hear perfectly fine, curly." |
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Not Knowing How to Politely Respond with Words |
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Lucy Expresses Herself with Actions |
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Knowing of Albert's Propensity to Anger Everyone he Meets, Cooper Warns the Sheriff What Might Happen |
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Albert is the Best Forensics Expert there is, But he is Lacking in Some of the Social Niceties |
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Cooper Captures Sheriff Truman's Nose |
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The Sheriff Does Not Take it Too Seriously |
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Upon Seeing Cooper and Truman, Albert Says: "I've seen a lot of slipshod backwater burgs in my day, but this one has got to take the cake." |
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Sheriff Truman Suppresses the Urge to Punch Albert Square in the Jaw |
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Cooper Hands Albert the Local Coroner's Report on Laura, to Which Albert Responds:
"Welcome to amateur hour." |
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Lucy Tries to Read her Recently Acquired Book on Tibet in Peace But is Distracted by the Exceptionally Rude Comments of Albert Rosenfield. Lucy was Apparently Inspired to Research Tibet After the Demonstration Earlier that Day by Cooper |
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Sheriff Truman Warns Albert to Stop Trash-Talking his Department and Town or Else a Retaliatory Physical Assault Would Not be Out of the Question. Albert Takes a Clue and Leaves the Station |
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Agent Cooper is Exceptionally Pleased with Truman's Restraint |
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A Quaint Little Smokestack |
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Ed Returns Home to Hear Nadine Shouting his Name |
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Ed is Not Sure What to Expect, But Violence Seems a Strong Possibility |
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Instead Nadine Runs to Ed and Gives Him a Bear Hug of Appreciation |
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Ed is Confused, But Nadine Explains that the Greased Cotton Balls Made Her Silent Drape Running Invention Work |
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The Force of Nadine's Affectionate Hug Begins to Hurt Ed |
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Meanwhile, the Icy Cold Atmosphere of Pete and Catherine Martell Sharply Contrasts with Ed and Nadine |
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Pete Rubs Mink Oil Over his Boots, which Causes Catherine to Leave for Refuge from the Smell |
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Catherine Heads into her Adjoining Bathroom and Inquires About Agent Cooper's Visit to the House Earlier |
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Once she is in the Bathroom, Pete Finds Catherine's Hidden Key to her Safe |
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Makes Sure the Coast is Clear |
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And Passes Off the Key to Josie, Who is Waiting Just Outside Catherine's Bedroom |
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As Pete Refuses to Share Any Other Information on Cooper and Truman's Visit Earlier, He Quips About her Self-Importance |
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Catherine is Incensed and Shouts at Pete Like a Child: "Go back to your room!" |
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Josie Uncovers the Safe Behind a Slide-Out Bookcase\ |
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And Uncovers the Safe |
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Josie Uses the Key that Pete Snuck to her Moments Ago |
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And Finds Two Separate Accounting Ledgers for the Sawmill |
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Josie Studies them to Gain More Inforamtion |
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The Palmer Residence |
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A Painting Hanging on the Wall That Will Be Significantly Featured Later in Ep. 14 |
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Leland is Troubled and Begins Snapping his Fingers Convulsively as he Plays Some Music |
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Leland Sets the Vinyl Record on the Machine to Play Some Dance Music. This Shot Eerily Echoes Another Shot in a Later Episode, Which We Will Reveal in a Later Article |
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Leland Seems Totally Despondent as he Listens to the Music |
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Leland Feels an Intense Despair About Laura's Murder in a Way Only Lightly Touched on in Past Episodes |
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Leland's Attention is Drawn to Laura's Homecoming Queen Photo on the Table |
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Leland Picks Up Laura's Photo |
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And he Begins Crying Uncontrollably |
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Leland Begins Dancing with the Photo Around the Room to the Loud Dance Music |
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Leland Begins Screaming in Repetitive Bursts |
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Leland Continues Dancing and Screaming at a Feverish Pace |
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Sarah Palmer Rushes in to Find Out What is Happening to Leland |
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She Tries to Get Leland to Stop Dancing with Laura's Photo, But Leland Ends Up Smashing the Glass on the Frame as he Tries to Keep it in his Hands |
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Sarah is Extremely Confused by Leland's Behavior and Asks What is Going On |
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Leland was Cut by the Broken Glass and he Begins to Spread his Blood Over Laura's Photo While Crying |
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Leland Moans and Cries and Will Not Stop Staring at Laura's Photo |
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Sarah Cries Out in Grief, Rage, Confusion, Etc. |
For the last few episodes, it seemed like Sarah Palmer was the unstable one, requiring medication to calm herself down after learning of her murder, having strange psychic visions of Laura's heart pendant, Laura's face, and the face of Laura's possible killer during Donna Hayward's visit last episode. Leland seemed to be the strong one who could comfort and support his emotionally damaged wife Sarah. But now Leland has broken down, too, leaving Sarah to be the strong the one when she is still incapable of handling her own grief let alone her husband's, too.
LET'S ROCK!
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From David Lynch's First Feature Film Eraserhead (1976). Lynch Designed and Stenciled in the Floor Pattern Personally |
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The Same Floor Design Appears Where the Fremen Harvest the Water of Life in the Extended Cut of Dune (1984) |
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And the Same Floor Design Appears Again in the Red Room Dream Sequence in Twin Peaks (1990) |
When this episode first aired, Agent Cooper's dream sequence stunned an audience full of people who thought they had seen everything televisions is capable of conveying on screen. People watched something completely original, bizarre, and beautiful that jarred something deep inside our collective subconscious. The sleepers awoke and gained a new perspective on the capabilities of the medium and the potential of the art form of television, inspiring countless writers, directors, and producers to strive to make something truly creative and original like David Lynch achieved in this episode.
Agent Cooper's Dream
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Agent Cooper is in Store for a Strange Experience as he Sleeps Tonight |
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The Camera Shows Cooper Fast Asleep as We Enter his Mind |
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Most of the Footage of this Dream Sequence is Pulled Out of the Extended "Closed Ending" to the Pilot |
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A Dwarf Rubs his Hands Together, Apparently Evoking Different Images for Cooper's Benefit |
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An Image of Sarah Palmer Searching for Laura Flashes Across his Mind |
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The One-Armed Man Cooper has Seen in the Periphery of his Investigation Visits his Dream |
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He Introduces himself as Mike and Recites a Poem to Cooper, the Last Stanza of Which is "Fire, Walk with Me..." Mike Explains he had a Tattoo with "FIRE WALK WITH ME" on his Left Arm, But When he Saw the Face of God, he Took the Whole Arm Off |
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Cooper is Restless as he Continues to Dream |
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Mike Introduces this Man as Bob, Who Says: "You might think I've gone insane. But I promise! I. Will. Kill. Again." |
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A Recent WelcometoTwinPeaks.com Article Identified the Object at the Center of the
Candles as the Severed Ear Discovered by Kyle MacLachlan in Blue Velvet (1986) |
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A Draft Blows Out All the Candles |
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Agent Cooper Sees himself 25 Years Older |
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Laura Palmer Appears |
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The Dwarf Suddenly Turns Around and Faces Cooper |
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The Dwarf Sits Down and Begins Rubbing his Hands Again |
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A Sound Reminiscent of Crystal Glasses being Rubbed Accompanies a Shadow of the Planet Saturn as it Passes by in the Background |
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Laura Points to her Nose |
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Agent Cooper Tries to Verify Laura's Identity |
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The Dwarf Begins Speaking in a Strange Way, Speaking Non Sequitir Phrases |
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After Agent Cooper Asks if this Woman is Laura Palmer, she Responds |
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This is a Phrase that Haunts Twin Peaks |
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All these Phrases Seem Strange and Disconnected at First Glance, But as the Series Progresses Each Phrase is Discovered to Hold an Important Clue in the Investigation of Laura's Murder |
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Jazz Music Starts Playing |
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The Dwarf Begins Dancing in the Other Part of the Room |
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As the Dwarf Dances, Laura Walks Over to Agent Cooper |
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Cooper has No Idea What to Expect |
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Laura Leans Down to Cooper |
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And Kisses Him |
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A Strobe Light Flashes on Disorienting Cooper |
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Cooper is Now at Ease and Ready to Hear Laura's Message |
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She Whispers the Identity of her Killer |
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Cooper Calls the Sheriff and Sets an Appointment for the Next Day |
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Truman Wants Answers Now But Cooper Insists the Answer Can Wait Until Tomorrow |
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Cooper Begins Snapping his Thumbs in Rhythm to the Music he Remembers from his Dream |
There is something fascinating and mysterious about the art of David Lynch that no amount of analysis or study can fully reveal, which is as it should be. Lynch's films appeal to something deep inside our conscious and subconscious minds. The experience Lynch creates is raw, primal, and elemental.
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Twin Peaks Evokes the Sadness, the Questions, and the Mysteries Surrounding
a Beautiful, Popular Woman's Untimely Death |
Lynch insists there exists an interpretation in his mind for what he puts on screen, but as explained in previous articles, he does not want to deny people their own opportunity to engage with his art on a subconscious level. And because of Lynch's powerful directorial style,
Twin Peaks is a great and enjoyable viewing experience on every level of meaning and is worth many repeat viewings.
Cast Interviews for Twin Peaks
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Very good work, keep it up :)
ReplyDeleteBut, if I may ask, why the next article is titled
"TWIN PEAKS - #8 SEASON 2 PREMIERE: PART I"?
Are you going to skip some episodes? That would be shame.
We are only going to analyze the episodes written and/or directed by David Lynch. The other episodes are great, but the emphasis of these articles is David Lynch.
ReplyDelete